Updated: Saturday November 21st, 2009 09:56:37 AM PST
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Ben Miller talks Michaels-Jericho angle PDF Print E-mail

EXTERNAL AFFAIRS
 
By Ben Miller
 
What do you do when you’re the man who’s done it all?  You’ve bumped  
two enduring gimmick matches into the wrestling consciousness, you’ve  
partied like a supernova, you’ve helped reinvigorate mat wrestling  
after declaring it dead and you’ve been Saved into a family man.  If  
you’re Shawn Michaels, you take the stage during WWE’s biggest event  
of the silly season and help deliver their most memorable angle in  
years.
 
The Michaels/Jericho/Michaels confrontation at SummerSlam needs  
neither recollection nor praise.  Plenty of both have been deservedly  
doled out already.  Will the memories survive as vividly as the  
Wrestlemania X ladder match or the Badd Blood ’97 Hell in the Cell  
match?  Only time will tell.  But no matter what the long haul  
delivers, that turning point in the story was done brilliantly.
 
Sadly, the events following the punch heard ‘round the molars indicate  
that this angle may be taking a direction that could lead to mere  
middling business returns.  It is no secret that professional  
wrestling is, at its core, a storytelling medium.  What apparently is  
a secret to some is that the storytelling in professional wrestling  
must be built around external conflict, not internal conflict.
 
Storytelling is a reflection of life.  People flock to movies, books  
and television shows not because they feature sexy actors or lurid  
action, but because they feature that most elemental ingredient to  
human existence: conflict.
 
A major part of human nature is a desire for conflict.  War,  
pestilence, plague, TNA booking; at first glance all of these things  
seem to be part of some grand mistake.  Upon closer examination one  
finds that it’s just another example of conflicting human interests  
and the failings of men.
 
Storytelling that captures the public’s imagination needs compelling  
conflict and surely professional wrestling often offer this.  Ahh, but  
what type of conflict?  Extra-personal conflict works.  Think of Stone  
Steve Austin and his battles against the boss.  Inter-personal  
conflict works, too.  Fans of a certain age still smile at memories of  
Bret Clarke’s back and forth with Shawn Michaels a decade ago.  But  
intra-personal conflict?  That’s another story altogether.
 
Writers generally love internal struggles that lead to character  
revelations and wondrous personal growth, but wrestling fans don’t  
have time for that stuff.  Shawn Michaels cutting promos blaming  
himself for his wife’s knuckle sandwich may get him nominated for a  
treasured CableFAX award, but it’s counter-productive in a  
storytelling medium more suited for external conflicts.
 
Wrestling thrives on the archetypal, and blaming yourself when your  
wife gets punched ain’t it.  Archetypal angles that draw big business  
allow the fans to have empathy for the babyfaces.  Think about this:  
What would you do if you were Michaels?  If your wife got punched  
would you attack the perpetrator with hellish vigor?  Would you  
attempt to put him in the hospital until security was forced to remove  
you from the building?  If you were banned from the arena the next  
night because the general manager deemed you unstable, would you climb  
through the crowd as soon as the villain’s music hit?  Would you  
attempt to violate restraining orders and hire surrogates in an  
attempt to exact revenge?  And when you finally did get a one-on-one  
confrontation with this jerk, would it not be the most satisfying  
feeling imaginable?
 
Perhaps not.  Perhaps you would kneel by your wife’s wide, blame  
yourself for her suffering and stew quietly because the doctors told  
you to retire.  Maybe you’d wrestle with the inextinguishable desire  
for revenge on the one hand and the unquestionable health risk on the  
other.  Maybe you’d take a while to think things through and decide  
what’s best for your family.  Maybe.
 
When comparing those two stories, they both seem plausible.  In fact  
they are both emotional and maybe the second one is even borderline  
understandable.  But it’s not money.  In pro wrestling money is in the  
big, the bold and the simple.
 
Big story equals big money in pro wrestling and there’s plenty of  
evidence to prove it.  It’s the reason Hogan vs. Savage beat Hogan vs.  
Warrior (you’ve been attacked for extending kindness to a friend’s  
woman).  It’s the reason Batista vs. HHH beat Cena vs. HHH (your  
potential has been bottled by a former mentor).  And it’s the reason  
Jericho vs. Michaels played externally would beat Jericho vs. Michaels  
played internally.
 
Michaels, Jericho and the WWE creative team still have time.  Hardcore  
fans are still in love with the angle and causal fans still have a  
piqued interest.  There is still time to make Michaels the enraged  
protector and Jericho the fearful lowlife. Still time to ditch the Fox  
Searchlight story involving Michaels, his wife and his eye and craft a  
Warner Brothers blockbuster featuring a guy delivering a receipt.   
Keeping the conflict in this angle mostly internal may well lead to  
critical acclaim, but to reach its drawing potential this affair has  
to be taken external.
 
**********

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